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Europa Neoclassical

The original series of six Phoenix Europa Neoclassical mandolins were built in 2005 with very select English sycamore maple used for the sides, backs, and necks and European spruce for the top. All the tone woods were European thus the name "Europa." A local luthier had stumbled across the sycamore, and I paid dearly for his stumbling. The fabulous tone of the Europas quickly made them collector's items.

In 2006, my Canadian wood supplier imported a nicely figured log of sycamore, and I quickly secured a half dozen planks. The picture shows a two-piece back after being carved by the CNC; one piece backs are also available. The sycamore was dried when I got it, but I seasoned it my shop for another year and a half before beginning to work it for the Europa II, a series of about twelve with the new feature of a side port. A side port can enhance the sound for the player without reducing the projection or volume.

Like the regular Neoclassical, the Europa II will be built for Thomastik medium strings or other light strings. As before, the internal blocks and lining will be willow, and the fingerboard, headstock overlay, tailpiece overlay, and finger rest will be ebony. A streaked fiddleback ebony will be available for some parts on some of the series. There will be 2mm snail dots for position markers on the side and face of the fingerboard. The stain will be a warm, dark brown with subtle shading. The finish will be a new premium waterborne varnish, harder and slicker than the usual varnish. Black and gold Grover tuners will be matched by black hardware throughout the mandolin. A black Eastman case will be included.

The price of the Europa II is $4,200.

Lou with his Europa IIWe received this Phoenix mandolin that my wife purchased from the Café auction for Butch Baldassari in mid February from Rolfe Gerhardt. It differs in part from the first Europa edition in having a sound port on the upper side for the player's enjoyment. Here I am today holding the mandolin I have been playing for a month now. I could not be happier and enjoy it more every day. Sometimes I still just sit holding it and looking at it. You cannot appreciate the design and construction of this mandolin without holding it in your hands and seeing and touching it's perfection while looking at it from all angles. No one can do a better job than Rolfe for fit and finish. I have held a Nugget, a Gilchrist, a Randy Wood. They can't top Rolfe. The sound of course is still maturing. The special hybrid varnish finish is very tough. It is not showing any fine wear or light scratches after one month of playing, including several times outside at gigs. Tougher than a new Weber or Rigel in my experience. Rolfe earlier made the Unicorn mandolin line, and is going to build a limited resurrection soon. I had tried to think of a laid back special inlay to request in reply to his generous offer to do one for me, and when I heard he was building more I asked for a Unicorn inlay for the pickguard. So is this a Unicorn or a Phoenix mandolin? The sound port is small but lets out a lot of sound. I could not be happier with the mandolin.


The Mandolins: Select • Neoclassical • Jazz • Bluegrass • Special Order Mandolins
About: About the Builder • Construction Features • Shop • Dealers/Links • Special Mandolins • Feedback • Care and Feeding


©Phoenix Mandolins, LLC, 2001
159 St. George Road, South Thomaston, Maine 04858-3023, USA
Telephone: 207-354-0397 • e-mail: contact@phoenixmandolins.com